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Composition: Duet
Unique Notes: 16 - 20
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SDG
'k Ben reizend naar die stad. Geen smart meer daar omhoog. There'll be no sorrow there. Dunbar
SDG
2:51 Est. Play
Time
60 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 1 6 4 100%
Tenor/Bass Bass 24 0 11 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 1 6 4 100%
Tenor/Bass Bass 24 0 11 4 100%
 
105. Freuet euch, ihr Christen alle. BWV 40 #8
SDG
0:59 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 21 0 6 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 21 0 6 4 100%
Contrabass Bass 16 0 4 3 50%
Voice Treble 3 0 0 1 10%
 
67. Dir, dir, Jehova, will ich singen. BWV 299.
SDG
1:12 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 17 0 3 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 17 0 3 4 100%
Contrabass Bass 11 0 2 4 50%
Voice Treble 1 0 0 1 7%
 
220. Komm heiliger Geist, Herre Gott. BWV 59/3, BWV 175/7.
SDG
1:24 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 6 100%
Tenor/Bass Bass 19 0 5 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 6 100%
Tenor/Bass Bass 19 0 5 6 100%
Viola 14 0 2 5 100%
Violin Treble 16 0 4 6 100%
Contrabass Bass 14 0 3 5 50%
 
89. Es ist das Heil uns kommen her. BWV 251. Trauungschoral.
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 6 100%
Soprano/Alto Treble 17 0 4 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 6 100%
Soprano/Alto Treble 17 0 4 3 100%
Tenor/Bass Bass 19 0 4 4 100%
Contrabass Bass 14 0 3 3 49%
 
106. Für Freuden lasst uns springen. BWV 313
SDG
0:48 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 4 100%
Tenor/Bass Bass 21 0 6 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 4 100%
Tenor/Bass Bass 21 0 6 5 100%
Contrabass Bass 16 0 4 4 50%
Voice Treble 2 0 0 1 6%